The Layered Reality of Film & Video
a product of fraternity– screen writers, photographers, art directors, actors, editors and even the groundskeeper who forgets to turn off a distant sprinkler in the emotionally climactic moment. Each contribution, each layer, can only be as good as the layer it’s built on. A great actor can only do so much with a bad script. A terrible director can destroy a beautiful story. Bad lighting can send the audience running.
I guess that’s why even established filmmakers, and big studios, can’t really count on their record, or their capital, to guarantee the success of a film. Each round of production has too many variables to calculate and contain.
The oddest truth, in having attempted it on a small small scale two or three times, is that it’s something of a “covenant” venture, much more so than most modern church fellowships. The studiously secular mind of most contemporary actors may be scandalized by the comparison, but I’ll pay them a compliment: A good film company does church better than church — at least on the mutual support and shared burdens front. (I’m not talking about orthodoxy.) It’s one thing to praise a fellowship that takes place for two hours on Sunday and it’s another thing to see people still smiling and encouraging each other after twelve hours days, six days a week.
That’s an odd confession for someone who doesn’t respect most of Hollywood’s final product, but it’s true.
If you want your church to really “be a church” — make a film.